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MASTER the Pentatonic Scales in your BLUES SOLOS

MASTER the Pentatonic Scales in your BLUES SOLOS

Here are three tips for using the pentatonic scales in your solos:

  1. Use the pentatonic scale to add color to your guitar solos. The pentatonic scale is a great tool for adding variety and interest to your solos. Try using the pentatonic scale to create a contrast with the more traditional blues scales you might be using. This will give your solos a unique and interesting sound.

  2. Experiment with different techniques such as bends, slides, hammer-ons, and pull-offs to add more expression to your solos. These techniques can help to add more emotion to your playing and make the pentatonic scales sound more musical.

  3. As a guitar player, Use the pentatonic scale in combination with chord tones: To make your solos sound more in-tune with the chord progression of the song, try to incorporate the chord tones into your pentatonic scale runs. This will help to give your solos a stronger sense of melody and harmony, and make them sound more...

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Go Your Own Way Solo Guitar Lesson + Tutorial | Fleetwood Mac

fleetwood mac Jan 16, 2023

Go Your Own Way Solo Guitar Lesson + Tutorial | Fleetwood Mac

"Go Your Own Way" is a classic rock song by Fleetwood Mac, released in 1977 on their album "Rumours". The song is a staple for guitar players of all skill levels and it's a perfect example of how to combine different elements of guitar playing to create a powerful and memorable song.

One of the most notable elements of "Go Your Own Way" is its iconic guitar riff, played by Lindsey Buckingham. The riff is a combination of power chords, single notes, and open strings, and it creates a driving and energetic sound that sets the tone for the entire song. This riff is not only memorable and catchy, but it's also relatively easy to play, making it a great tool for guitar players who are looking to improve their skills.

"Go Your Own Way" is a perfect example of how to combine different elements of guitar playing to create a powerful and memorable song. The song's iconic guitar riff, fingerpicking, and chord progression make it a...

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Rolling Stones It's Only Rock 'N' Roll (But I Like It) Guitar Lesson + Tutorial

Rolling Stones It's Only Rock 'N' Roll (But I Like It) Guitar Lesson + Tutorial

"It's Only Rock 'n' Roll (But I Like It)" is a rock song by The Rolling Stones, released in 1974 as the lead single from their album of the same name. The song's catchy guitar riff, driving rhythm, and tongue-in-cheek lyrics make it a quintessential rock anthem and a fan favorite.

The song's lyrics "I said it's only rock 'n' roll but I like it" has become an anthem for rock music lovers everywhere, and it perfectly captures the attitude and energy of the song.

Musically, "It's Only Rock 'n' Roll (But I Like It)" is a perfect example of The Rolling Stones' signature sound. The song's driving rhythm, provided by Charlie Watts' drums and Bill Wyman's bass, give it a powerful energy, while Keith Richards' guitar riff and Mick Jagger's vocals add a sense of swagger and attitude.

"It's Only Rock 'n' Roll (But I Like It)" is a classic example of The Rolling Stones' ability to create timeless rock anthems....

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INSTANTLY Change The Way You Solo (DO THIS!)

blues Jan 14, 2023

INSTANTLY Change The Way You Solo (DO THIS!)

Call and response is a common technique used in blues guitar solos, where the lead guitar player will play a phrase, or "call," and the rhythm guitar player or the band will respond with another phrase, or "response." This technique creates a back-and-forth conversation between the lead and rhythm guitar, giving the solo a dynamic and interactive feel.

One of the key elements of call and response in blues solos is the use of the blues scale. The lead guitar player will often use the blues scale to play their "call" phrase, and the rhythm guitar player or band will respond using a similar answer type of phrase. This creates a cohesive sound and allows for a seamless transition between the lead and rhythm guitar parts.

Another important aspect of call and response in blues solos is the use of dynamics. The lead guitar player will often start off with a low-key phrase, and the rhythm guitar player or band will respond with a louder, more...

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Peg Steely Dan Guitar Lesson + Tutorial | MOST ACCURATE LESSON ONLINE

peg steely dan Jan 08, 2023

Peg Steely Dan Guitar Lesson + Tutorial | MOST ACCURATE LESSON ONLINE

Hey friend Jon MacLennan here and in this video I want to share with you how I play Peg as recorded by Steely Dan. Now this is a brilliant song that has one of the most common Steely Dan chords in it. I'm gonna break it all down for you step-by-step.

There's four parts but keep this in mind that these are advanced chords and this is advanced harmony, it's almost like playing a jazz standard. The brilliant part for me with Steely Dan was they were able to take all this incredible music and amazing chord changes but then write a pop song that people could just sing along with and I think that there's very few artists that could actually pull this off. Perhaps people like Stevie Wonder would be another person who could do it but let's get straight into it.

We're going to start off with the intro progression now this just a pattern it starts on a Gmaj9 and I'm playing starting on the fifth string 10, 9, 11, 10. These...

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3 Simple Arpeggios To Use To Finally Play Perfect Blues Guitar Solos

One of the things that a lot of my students have emailed me about on my website and in my programs is that when they are improvising either they're playing along with backing tracks or jamming with a band. And when they play their solos and they finish a lick, a lot of the times they feel like they're ending on a wrong note, or they're not quite landing how they would like in the musical phrase.

So in this video I want to talk about playing over a blues in the key of G and give you just some simple landing points that you can use in your solos right away.

Alright so let's get straight into it now if we're playing a blues in the key of G typically we're going to have just 3 chords as our essential blues pattern, and those chords are going to be G, C and D. 

Now in the Blues a lot of times those chords are all played as sevenths so that's going to be a G7 a C7 and a D7. Each one of those chords is actually made up of four notes. So what we're going to do is...

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